It is often forgotten today that this pair, with composer Jerome Kern, were responsible for a major shift in the style of musicals, on both sides of the Atlantic. British musicals were closer to light operettas. American musicals were more like revues, packed with speciality acts, huge sets and choruses, the music and plot, if any, being largely disconnected. The trio produced a number of small scale pieces which linked or interwove the songs with a strong plot. This paved the way for the now better known musicals of the thirties - fifties (although Hollywood kept the grand production number alive).
Bolton, with help from PG, wrote the libretti or books, Kern the music and Wodehouse the lyrics, the part he liked most. A few are reproduced in the book. At one time, as the book says, PG held the record for the most musicals running on Broadway (5) - a record which has not yet been broken.
When reading this book it is essential to remember that both of the authors wrote it to entertain. They have deviated from the truth throughout, happily making up stories or re-attributing them to make a better book.*
| UK: | 1954 Herbert Jenkins |
| US: | 1953 Simon and Schuster |
Also published in the omnibus edition Wodehouse on Wodehouse by Hutchinson (1980) and Penguin (1981 - used here). The Penguin version does not have any pictures.
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