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Blandings - the logo of www.blandings.org.uk, the Companion to the works of P G Wodehouse
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Wodehouse on the Stage

Nearly all Wodehouse's work for the stage was in collaboration with others, his contribution varying from one piece to the next. Some productions were re-written for the trip across the Atlantic, some would change as they ran (new numbers etc.). The year and place are for the first main production. This list does not include plays based on Wodehouse's books but written by others, or TV adaptations. Notes on film adaptations can be found with the parent work and on the Film & TV page.

Information on PG's stage works is hard to find (except for the book The Complete Lyrics of P. G. Wodehouse by Barry Day). These pages are a summary and index; the linked pages have more information but it might not be much.

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Musicals

Sergeant Brue
1904, London, 1905 New York. One interpolated (added in) lyric, principal lyrist * J. Hickory Wood. Book by Owen Hall, music by Liza Lehmann and Frederick Rosse.
The Beauty of Bath
1906, London. Utility lyrist (for the topical encores). Book by Seymour Hicks and Cosmo Hamilton, lyrics by Charles H. Taylor, music by Herbert Haines and Jerome Kern.
The Gay Gordons
1907, London. Two lyrics, with principal lyrist Arthur Wimperis, and C. H. Bovill and Henry Hamilton. Book by Seymour Hicks, music by Guy Jones.
The Bandit's Daughter
1907, London. Book with Herbert Westbrook. Music by Ella Hall-King.
My Darling
1907, London. One or two lyrics with principal lyrist Charles H. Taylor, music by Herbert E. Haines.
The Girls of Gottenberg
1907. One or two lyrics (possibly) with principal lyrists Adrian Ross and Basil Hood, music by Ivan Caryll and Lionel Monckton.
The Hon'ary Degree
1907. Book by H. Rottenburg, music by J. W. Ivimey. PG contributed at least one lyric.
Nuts and Wine
1914, London. A revue. Book and lyrics with C. H. Bovill, music by Frank E. Tours, additional numbers by Guy Jones (words) and Melville Gideon (music).
Pom Pom
1916, New York. Book and lyrics Anne Caldwell, music by Hugo Felix. See page for PG's contribution (uncertain).
Miss Springtime
1916, New York. Lyrics with Herbert Reynolds, book by Guy Bolton, music by Emmerich Kalman and Jerome Kern.
Have a Heart
1917, New York. Lyrics, book with Guy Bolton, music by Jerome Kern.
Oh, Boy!
1917, New York. Lyrics, book with Guy Bolton, music by Jerome Kern. Produced in London, 1919 as Oh, Joy!
Leave It to Jane
1917, New York. Lyrics, book with Guy Bolton, music by Jerome Kern. Based on the play The College Widow by George Ade. Revived 1959 in New York.
Kitty Darlin'
1917, Buffalo, NY. Lyrics with Otto Harbach, book with Guy Bolton based on Sweet Kitty Belairs by David Belasco, music by Rudolf Friml.
The Riviera Girl
1917, New York. Lyrics, book with Guy Bolton, music by Emmerich Kalman and Jerome Kern.
Miss 1917
1917, New York. Lyrics, book (sketches) with Guy Bolton, music by Victor Herbert and Jerome Kern.
The Second Century Show
See Miss 1917
Oh! Lady, Lady!
1918, New York. Lyrics, book with Guy Bolton, music by Jerome Kern.
See You Later
1918, Baltimore. Lyrics, book with Guy Bolton based on Pierre Veber's The Girl from Rector's, music by Jean Schwartz and William F. Peters.
The Girl Behind the Gun
1918, New York. Lyrics, book with Guy Bolton, music by Ivan Caryll. Based on the play Madam and her Godson by Maurice Hennequin and Pierre Veber. Produced in London May 20, 1919 at the Winter Garden Theatre as Kissing Time.
The Canary
1918, New York. One or more lyrics with Anne Caldwell, music by Ivan Caryll, Irving Berlin and Henry Tierney, and book from the French by George Barr and Louis Verneuill.
Oh, My Dear!
1918, New York. Lyrics, book with Guy Bolton, music by Louis Hirsch. Originally titled Ask Dad.
Ladies Please
c1918. Book with Guy Bolton. Not performed, date uncertain.
The Rose of China
1919, New York. Lyrics, book by Guy Bolton based on Samuel Shipman's play East is West, music by Armand Vecsey.
Sally
1920, New York (London, 1921). Some lyrics with principal lyrist Clifford Grey, book by Guy Bolton, music by Jerome Kern.
The Golden Moth
1921, London. Lyrics with Adrian Ross, book with Fred Thompson, music by Ivor Novello.
Pat (The Gibson Girl)
1922. Book with Guy Bolton, lyrics with Billy Rose, music by Vincent Youmans. Unperformed.
The Blue Mazurka
1921. Contributed lyrics, book with Bolton, music by Jerome Kern and Franz Lehar. Not produced. (Not to be confused with the successful 1920 version with book and lyrics by Leo Stein and Bela Jenbach.)
The Cabaret Girl
1922, London. Book with George Grossmith, lyrics with Grossmith and Anne Caldwell, music by Jerome Kern.
The Beauty Prize
1923, London. Book and lyrics with George Grossmith, music by Jerome Kern.
Sitting Pretty
1924, New York. Lyrics, book with Guy Bolton, music by Jerome Kern.
The City Chap
1925, New York. Book by James Montgomery, music by Jerome Kern and lyrics by Anne Caldwell. PG probably contributed two lyrics.
Hearts and Diamonds
1926, London. Adapted with Laurie Wylie from the light opera The Orlov by Bruno Granichstadten and Ernst Marischka. Lyrics by Graham John, music by Bruno Granichstadten and Max Darewski.
Oh, Kay!
1926, New York (1927 London). Book with Guy Bolton, lyrics by Ira Gershwin, music by George Gershwin. Revived 1960, New York with added songs, lyrics by PG.
The Nightingale
1927, New York. Lyrics, book by Guy Bolton, music by Armand Vecsey.
Showboat
1927, New York. One lyric 'Bill' (with music by Kern), book and main lyrics by Oscar Hammerstein.
Rosalie
1928, New York. Lyrics with Ira Gershwin, book by Guy Bolton and William McGuire, music by George Gershwin and Sigmund Romberg.
The Three Musketeers
1928, New York (London 1930). Lyrics with Clifford Grey, book by William McGuire based on Alexandre Dumas' famous novel, music by Rudolf Friml.
Anything Goes
1934, New York. Book with Guy Bolton, revised by Howard Lindsay and Russel Crouse, music and lyrics by Cole Porter.
Leave it to Jeeves (Betting on Bertie)
1971. Book with Guy Bolton, music by Robert Wright and George Forrest - unperformed by 1999.
Very Good, Eddie (Revival)
1975. Two lyrics used in this revival - PG was not involved with the original production.

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Plays

A Gentleman of Leisure
1911, New York. Co-author with John Stapleton, based on Wodehouse's novel The Intrusion of Jimmy. Revived in 1913 at Chicago under the name A Thief for a Night.
Brother Alfred
1913, London. Co-author with H. W. Westbrook. Based on the short story Rallying Round Old George.
The Play's the Thing
1926, New York (London, 1928, revived New York 1948 and since). A farce, adapted from Spiel in Schloss by Ferenc Molnar.
Her Cardboard Lover
1927, New York. Adapted by Wodehouse and Valerie Wyngate from a play Dans sa candeur naïve by Jacques Deval.
Good Morning, Bill
1927, London. Based on a play by Ladislaus Fodor. (Revived 1934, London)
A Damsel in Distress
1928, London. With Ian Hay, based on novel of same name.
Baa, Baa, Black Sheep
1929, London. Co-author with Ian Hay.
Candle-Light
1929, New York. Based on Kleine Komedie by Siegfried Geyer.
Leave It to Psmith
1930, London. Co-author with Ian Hay, based on novel of the same name.
Who's Who
1934, London. Co-author with Guy Bolton. Based on the novel If I Were You.
The Inside Stand
1935, London. Based on his novel Hot Water.
Arthur
1947, not produced for the stage. Adapted from Ferenc Molnar's Jemand. Later performed on US TV as Dear Arthur after further adaptation.
Game of Hearts
1947, not produced. Adapted from the play by Ferenc Molnar.
Summer Guest
1947, started work with Melchior Lengyel on a comedy play (not produced).
Don't Listen, Ladies
1948, New York. Co-author (as Stephen Powys) with Guy Bolton, based on the play N'écoutez pas, mesdames by Sacha Guitry.
Nothing Serious
No major production but performed in US stock (repertory).
Phipps / Kilroy was Here (alternate titles)
1951, not produced. (Started by PG, based on his book Spring Fever, used as the basis for his book The Old Reliable then completed by Guy Bolton.)
Come On, Jeeves
1954, Worthing. Co-author with Guy Bolton, became the book Ring for, Jeeves.
Love Among the Chickens: a comedy in three acts
(No date) not produced. With Rudolf Lothar.

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* Lyrist - Wodehouse preferred this to the commoner 'lyricist'.

The above is essentially a compilation of scattered information with the obvious chaff removed and some questionable items kept back. The Wodehouse Society (UK) site names several more plays and contributions to musicals and is well worth a visit. There appears to be a lot of uncertainty about some of PG's stage work - I'd rather not add to it.

The Theatre of P.G. Wodehouse by David A. Jasen (pub. B. T. Batsford, London, 1979) has details of the first main performances, cast lists, stage numbers and some amazing photos. It doesn't include story synopses but it's still good value.

© Reggie